Manisha Anjali's first collection is an intensely imagined recovery of a little-known cultural inheritance, in which historical figures, folk characters and mythical entities feature in a procession coloured by the metaphors of poetry and the surrealism of dreams. A community in northern Queensland, whose ancestors were indentured by the Colonial Sugar Refining Company, receive messages from their friends across the Tasman. A mysterious reel of film washes ashore, depicting harrowing violence on sugarcane plantations under the indenture system. The actors walk out of the film and into the world of the living. The community walk into the projection.